| Neil
You can hear the influence of violator on the guitar on this. Hello, 'Enjoy
The Silence'. This song was nearly a b-side.
Chris
It sounds good now. I think we thought it sounded a bit weak then.
Neil
I don't think my vocal's very good.
Chris Julian Mendelsohn couldn't relate to how this sounded. He was
so used to the Eighties when we had click bass drums and thumping great
big snares, and then of course that all went out the window, to be replaced
by squishy little sounds, and Julian couldn't get his head around them
- he thought they were crap. This was when house music was still about
tunes.
Neil
We originally started this song when we were recording 'I get excited
you get excited too)'at the beginning of 1988. Originally it was called
'If there was more', and then that idea became 'If there was love' on
Us Minnelli's album. Then I had the idea of 'The end of the world' as
the title. In the middle bit there's my second guitar solo on the album.
We should have got Johnny to do that, maybe. It's just a story of teenage
trauma: aging whose boyfriend hasn't phoned her up, or someone whose boyfriend
or girlfriend hasn't phoned them up, and they're having teenage trauma
about it. She's arguing with her parents and slamming doors. Also, people
were starting to get apocalyptic at the beginning of the Nineties, so
it was also looking at the idea of the actual end of the world. I think
I read some book about it at the time. The girl at the end of the song
is hoping the world will end.
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