| Neil
Chris wrote the music for this. He called his demo 'India'.
Chris
The title doesn't necessarily relate to the song.
Neil
Well, that was why we asked Johnny Marrto play on it. We thought it should
have guitars because
Chris
pictured it to be a jingly kind of guitar thing. On the demo he played
the melody on a guitar sample. There's still a guitar solo played by Chris
on the keyboard. This was always a very easy track. I'd written the words
when it was demoed. The title comes from the title of the screenplay Joe
Orton wrote for The Beatles which was never used. I needed a four-syllable
phrase to fit the melody, and I looked at the bookcase in my sitting room
and there was Up Against It. Having decided upon that title, I'd also
been reading a book about London after the Second World War; and the lyrics
are sort of about post-war Britain. It's about how people thought that
they were going to build a new Jerusalem, and how in every era everyone's
being told to tighten their belts. They were doing that in the Forties,
in the Sixties, in the Seventies, in the Eighties, and they were still
doing it when I wrote this. You're always marching but you're never actually
getting anywhere. It always seems like there's an economic crisis on,
and that optimism
disappears,
and the song is saying: what a swizz. The first verse - 'such a cold winter'
- refers to the legendarily cold winter of 1947/48. Rhyming 'Pinter' and
'winter' is very Sting, isn't it? The 'so deep in quicklime' part was
triggered by the fact that, as I was writing the song, they dug up the
bones of the Tsar and his family in Russia. It's just saying that communism
was rubbish. The whole song is just saying that politics is rubbish.
Chris
The bassline's doing a Latin rhythm bit.
Neil
Johnny Marr came up with the idea for the backing vocals at the end: 'coming
up against it now, really coming up against it oooh whooo whooo'. He said,
'If you were being Quincy Jones you'd do something like this'. I said,
'Let's do that, then,' and we sang them together.
Chris
We were still doing Sharon Redd breakdowns. No handclaps though.
Neil
It's got a very good end.
Chris Well done, Chris Porter. That's the sort of thing only a proper
producer would do..
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