| Neil
It's a very sad song, this. 'One might be forgiven for thinking it's a life
on the run'. When Q reviewed this album it said that this song was as nauseating
as a Tom Hanks acceptance speech. I don't think it is. I think that's someone
finding sincerity difficult to take from the Pet Shop Boys. The music for
this was on one of Chris’s Ian Wright demos.
ChrisI
just did some tracks when I was working with Ian Wright and then he and
I chose the track which was obviously the one for him, which became 'Do
The Right Thing'.
Neil
Chris gave me a cassette of what he thought were the best things he'd
done that hadn't been used. It took me ages to write the words over the
course of 1995.1 think I started writing them on a train. It's sort of
a feel-bad, feel-good song. It's about growing old, and that, when you've
reached a certain age, you've survived this far. You're still alive. A
friend of mine committed suicide early that year; which I was rather depressed
about. She's referred to in the song, where I sing 'teachers and artists
and Saturday girls'. I used to work with her; and The Saturday Girls were
a group she was supposed to be in. 'Don't drop bombs', which we recorded
with Liza Minnelli on Results, was originally an idea for a song
for The Saturday Girls.
ChrisIt's
quite anthemia-sounding, 'The survivors'.
Neil
It was the first song we recorded with Chris
Porter. I think we'd both thought as soon as we'd done the demo that it
would be on the album.
Chris
Especially when we added those backing vocals.
Neil
We remixed it late in 1995 and changed the drum track, but just before
Bilingual was released we went back to the first mix we'd done,
which Chris said he'd always preferred. I've never felt totally happy
about the sound of the rhythm track. It's a bit muddy. But I like the
question and answer; call and response thing. It's also great to have
the words 'twinsets and pearls' in a song. In the final chorus, at 3.37,
you can hear me sing 'race' twice. It's a mistake, but we left it in.
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