Neil  I like the way that 'To step aside' is followed on the album by this. It asks a very difficult question - are you going to step aside? - and then you go out and carry on as normal. We wrote this at Rocky Lane. I started singing 'forever forever' and it sounded really disco but I couldn't think of anything else so Chris said, 'Why don't you just go "Saturday night, Saturday night"?' It's a real disco thing to do.

With the 'forever forever' bit, I thought, 'Oh, I'll have to write proper words for that', but Chrls said, 'No, it's great -it just goes "forever foreve~'.'

Chris It's a bit cheesy-sounding. It's the brass-line that makes it sound cheesy.

Neil  Danny had this mad keyboard player who came over to England with him to do this. We recorded this at Sarm West and then Danny took it to New York and mixed it. We very nearly shoved it into our musical. I like the brass line. It's very Stock Aitken Waterman. Kylie could have done that. I can also imagine Robbie Williams singing it in his Take That incarnation. The words are completely nothing. I wrote them so quickly I can't even remember what I was thinking. It's about picking someone up in a club. It's a very circular song. It just keeps going round and round. It could on forever; really.