|
PET
SHOP BOYS
By LAJackson and Steve Jenner
This was certainly new and different - the original electro-twins on the
Pyramid Stage, sandwiched between rock stalwarts Ocean Colour Scene and
Travis.
Perhaps this
was a well meaning gesture on Michael Eavis' part - ie.
a refreshing
interlude between the droning. Neil Tennant wins the prize for most glamorous
act of the festival, above Macy Gray, even. He strides out in a pristeen
black suit, with a big matching stetson - a big contrast to the drab white
trash rockers that have been populating this stage all day. There has been
no expense spared on the stage set, which adds a compulsive element to the
disco-charged beats.
We get dazzling
projected visuals, explosive light-show and the stage itself is decked out
as an ultra-modern Soho-style gay bar. The tunes sound more or less exactly
as they do on the record, but it is difficult not to tap your feet and sing
along.
It is a hit-rich
set, including 'Suburbia', an acoustic 'Rent', 'It's a Sin' and 'Can You
Forgive Her' - which features a pair of tap-dancing Mario Brothers! Mid
way through, the Boys obviously decide they've broken the ice sufficiently
to revert to the classic imagery, and re-emerge in customary all-white.
Tennant outclasses
himself in the new attire - a sharp white suit with a sleazy black bow-tie
hanging draped around his collar. 'What Have I Done to Deserve This' even
includes a celebrity guest appearance by none other than a smiley Ms.
Cerys Mathews
from Catatonia. The pounding 'West End Girls' takes on a completely new
euphoria. 'Go West', with it's bulky singing workmen 'worked' beautifully,
as a surreal early evening camp-anthem and set-closer.
Tonight it seemed
Pet Shop Boys could be forgiven for any involvement they had in the 1980's.
I'd say they deserve that kind of respect, at least once in a while. --
Thank you to
mary |