Playlouder
Review
'Fundamental', as the title suggests, highlights a return to what Pet Shop
Boys do best arch and glacial electronic pop music. Back in 2002
they spurned electroclash by putting out the guitar-flecked disappointment
'Release' yet given that genre's burial as deep as its founders hooters
were in powder-filled nose bags, even that decision feels timely. For it's
allowing Messrs Tennant and Lowe to appear with a near flawless album when
electropop is currently an embarrassment of bland clichés. The Modern?
Don't make me laugh.
And hooray
that ace-upon-release single 'I'm With Stupid' is perhaps the most obvious
and least rewarding track on here, overly Pet Shop Boys by numbers, and
sounding as if it could have emerged at any point in their twenty year
career. Yet that and the fashionista-hooking line about "asymmetric
haircut and a painted eye" that pretty much opens the album
are pretty much the only unsurprising moments here. Tennant and Lowe's
have come up with an album that's undeniably their own, yet feels fresh
and relevant today. Indeed, this is a return to form as effortless and
stylishly executed as we've encountered in years.
The sweeping
strings and rhythmic simplicity of 'I Made My Excuses And Left' make it
one of those sad ballads that Neil Tennant's voice suits so well, and
serves to remind how he's been long neglected as a master of the mournful.
'Minimal' makes for an immediate, aptly named, contrast, sprightly zipping
synthesisers and a bassline borrowed off straight from New Order. What's
more, they've rightly realised that making an album chock-full of screaming
camp bangers would merely make them look like a pair of decaying, bleach-blond
queens spilling out of their sleeveless vests in some forsaken provincial
nightspot. So 'Fundamental' is full of artful and thoughtful mid-tempo
pieces more suited to pleasingly crafted furniture and a night in with
the dog. See 'Numb', for instance, or the seductive and reflective 'Luna
Park', with its gentle (and rightly understated acoustic guitar), piano,
and sumptuous string crescendo. Even better is 'Cassanova In Hell', a
sweeping historical ballad at contrast to the pleasingly kinky lyrics
"his lives and lovers and above all / His erection / will live in
history."
But the Pet
Shop Boys were never going to neglect the more deviant up-beat moments
they do so well. Opener 'Psychological' is all pulsing and dark, a kung
fu synth refrain as punctuation to the mystery, while 'The Sodom And Gomorrah
Show' is 'Fundamental's visit to Tennant's obsession with themes of transgression,
this time made as explicitly biblical as ever over some imperious and
magnificent work from Chris Lowe. And of course, they go out with a belter:
'Integral' is bicep bulging banger with a superb chorus hook... "If
you've done nothing wrong you've got nothing to fear," sings Tennant,
aptly. For 'Fundamental' will not only be rated up there among the Pet
Shop Boys finest albums it's also arguably the best electro pop
record we've heard in years.
Luke Turner
reviewed
on 23 May 2006
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