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From
Their Base in a derelict station the pet shop boys tell Mike Jones how
they're determined to keep their career on track with a new album and
confess that After 14 years at the top they're still searching for a new
musical underground.
EARLY
morning at a dis-used railway station in cen-tral London. Somewhere inside
are two of British pop music's most endur-ing stars. Quite where, though,
is another matter. Amid the faded grandeur of peeling paint work, rotting
plaster and the memories of a million train journeys, a series of tiny
arrows leads the way up several sweeping staircases. Yet it seems like
a wild goose chase when the top floor reverts nothing but wrecked floor-boards
and a labyrinth of empty rooms.
And
a single closed door. A turn of the handle, though, triggers a thumping
disco beat and suddenly a giant video images lights up the back wall.
To the side, a couple of dogs start howling. Appropriate, really, considering
these two have always seemed a little bit barking.
Welcome
to the mad world of Neil Tennant and Chris Lowe -a.k.a. the Pet Shop Boys.
"What else did you expect?" laughs Tennant from around the corner.
Indeed. "It's much better here than a dogs are tethered more securely.
"They're not real," says Ten-nant, still looking cool at 45.
"The noise is recorded so that when you walk through the door the
barking starts.
"Some
people have been quite scared." You don't say. "Actually, maybe
we should close to it as you're ever going9 to get. The track is the follow-up
to the succinctly titled I Don't Know What You Want But I Can't
Give It Any More. It is also the second release from their forthcoming
album Nightlife.
This
appears to be not so much of a stab in the dark as a move into the realm
of the comainstream single-handedly with their first No l smash West End
Girls back in 1985. Their early success came at a time when the British
club scene was hidden deeper under-ground than the Northern Line. Back
then a night out meant a trip to the local disco and Phil Collins was
almost trendy. All right, the last bit's a lie, but To Deserve This?,
Always On My Mind and Go West! Four-teen years later, though, and club
culture has become the dominant force.
"We're
permanently searching for a new underground because it doesn't really
exist now," says Lowe, 39. "Something like the Chemical Brothers
would have been hotel, don't you think? There's more of a vibe."
You
can say that again. The dogs might have stopped but the walls of St Pancras
station are still shaking to the sound of one of their new tracks.
So
much so that a sign falls oft and hits the floor behind them. "Better
get some more Blu-Tak," says Lowe. Let's hope the have real ones
to s**t people up," says Lowe. As he finishes his sentence the noise
behind starts to fade then cranks up into a rousing Village People-style
anthem.
This,
the lads inform me, is their new single, New York City Boy. Not exactly
Y.M.C.A. for the new Millennium but probably as cept album Not, they claim,
that this is a deliberate move.
"It's
a real mixture of songs, says Tennant, "but all the ones we recorded
more or less seemed to happen at night." The theme was prompted by
the pair's long-held love affair with dance music which they vir-tually
brought into the British then the music scene was strug-gling to find
a new direction for itself until Lowe and Tennant started to stir things
up. Far from being one-hit wonders, the band have been breaking new ground
ever since.
They
followed up their debut success with a string of classic hits such as
What Have I Done underground once but now it's lust mainstream."
As a result both he and Tennant are determined to set the agenda once
again. 'And their next prolect will see them take a serious change of
direction. "We've written a musical with the playwright Jonathan
Harvey, who did the film Beautiful Thing," says Tennant.
"We
wanted to do something that's not like Phantom Of The Opera. "We
wanted a contemporary, story with contemporary music which no one's really
done in England for a long time." In the meantime, the Boys are preparing
their first British tour for eight years which kicks off in Glasgow in
early December. Not a bad end to the year for a band who are one of the
few survivors of the Eighties.
"People
used to say we'd only last three years," says Lowe before Tennant
interrupts: "But we had other plans." And with that the door
opened, the dogs barked and they were gone. · New York City
Boy is out on Monday.
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