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PopArt:The
hits out now includes the new single 'Flamboyant'
Pet Shop Boys
Barfly, London
Dorian Lynskey
Tuesday March 9, 2004
The Guardian
The
Barfly, Camden's much-loved indie shoebox, rarely plays host to anyone
whose name is familiar outside close friends and family, but for the past
week the likes of the Cure and the Darkness have played here as part of
a series of charity shows. Some tickets were auctioned on eBay, where
a pair for tonight's gig fetched an eye-watering £2,200: that's
£78.57 per person per song. You can only hope that the winning bidders
aren't stuck in traffic.
This is the first time in 20 years that Neil Tennant and Chris Lowe have
performed without the aid of dancers, costume changes or Derek Jarman
short films, relying instead on two keyboards and a recalcitrant Powerbook.
"As someone once sang," says Tennant, quoting one of his own
lyrics, "we wouldn't normally do this kind of thing." Far from
appearing misplaced, though, the duo look exactly how most people picture
the Pet Shop Boys: Tennant dapper in black jacket and T-shirt, Lowe mock-solemn
behind sunglasses and baseball cap, in front of a mirrored backdrop. Hairlines
aside, it's almost like watching a 1986 Top of the Pops.
Faced
with a room full of diehard fans - one woman is virtually trembling as
she mouths every lyric - Tennant and Lowe are free to tour the side streets
of their remarkable back catalogue. There's Jealousy, the first song the
pair ever wrote together; In Private, originally produced for Dusty Springfield
and never played live before; and Tonight Is Forever, their first album's
hymn to metropolitan hedonism.
Stripped
back to electronics, these songs sound sleeker and tougher. Flamboyant,
the new single, and a retooled It's a Sin bite as hard as any electroclash
track. The evergreen Being Boring, meanwhile, is rendered in quasi-ambient
slow motion. During a final gallop through the hits, including Opportunities,
Rent and West End Girls, band and audience seem equally elated. £78.57
per song is almost reasonable.
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